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Here are all the paintings of Honore Daumier 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 699 |
 |
Advice to a Young Artist |
1860
The National Gallery of Art, Washington DC |
| 10979 |
 |
Crispin and Scapin |
Scapin and Silvester, CA, 1858 - 1860.
1' 11 3/4" x 2' 8 1/4" ( 60.5 x 82 cm ).
Gift of Societe des Amis du Louvre, 1912. |
| 88189 |
 |
Der Kupferstich-Liebhaber |
1857-1860
Medium Oil on canvas
Dimensions 41 x 33 cm
cyf |
| 21366 |
 |
Don Quixote (mk09) |
c 1868
Oil on canvas,52.2 x 32.8 cm
Munich,Bayerische Staatsgemalde-sammlungen,Neue Pinakothek |
| 40745 |
 |
Don Quixote and Sancho Pansa |
mk156
c.1868
Oil on canvas
52x32cm
|
| 43337 |
 |
Don Quixote and Sancho Panza |
mk170
circa 1866
Oil on oak
40.3x64.1cm
|
| 10976 |
 |
Don Quixote and the Dead Mule |
1867.
4' 4 1/4" x 1' 9 1/2" ( 132.5 x 54.5 cm )
Gift of Baroness Eva Gebhard-Gourgaud, 1965. |
| 62537 |
 |
Guizot or the Bore |
1832-33 Painted clay, height 22 cm Mus?e d'Orsay, Paris The busts of the Parliamentarians was commissioned in 1832 by Charles Philipon, the director of La Caricature, and executed during actual sittings of the Chambre des D?put?s. These busts mark a total break with the tradition of the neoclassical portrait.Helped by acute powers of observation and a remarkably expressive talent as a draughtsman and modeller, Daumier tried to reveal the deep truth of his models through an uncompromising image enhanced by exaggeration and polychromy.. Author: DAUMIER, Honor? Title: Guizot or the Bore Form: sculpture , 1801-1850 , French , other |
| 52529 |
 |
Laundress on the Quai d'Anjou |
c. 1860 Oil on panel, 29 x 20 cm |
| 10972 |
 |
Scene from a Comedy |
( Moliere? ) Or a Scapin.
1' 1" x 9 3/4" ( 32.5 x 24.5 cm ).
Gift of Mrs. Dulac and Miss Turquois, 1928. |
| 89110 |
 |
Scene from a Comedy |
between 1858(1858) and 1862(1862)
Medium oil on wood
cyf |
| 21362 |
 |
The Emigrants (mk09) |
1852/55
Oil on panel,16.2 x 28.7 cm
Paris,Musee du Petit Palais |
| 10969 |
 |
The Laundress |
CA. 1863.
1' 7 1/4" x 1' 1/4" ( 49 x 33.5 cm ). |
| 21369 |
 |
The Melodrama (mk09) |
c 1860
Oil on canvas,97.5 x 90.4 cm.Munich,Bayerische Staatsgemalde-sammlungen,Neue Pinakothek |
| 23282 |
 |
The Print Collectiors (nn03) |
c 1878
Ink and wash on paper 35 x 32 cm 13 3/4 x 12 1/2 in Victoria and Albert Museum London |
| 698 |
 |
The Print Collector |
1857-63
The Art Institute of Chicago |
| 702 |
 |
The Print Collectors |
|
| 700 |
 |
The Republic |
1848
Musee d'Orsay, Paris |
| 10974 |
 |
The Thieves and the Donkey |
From La Fontaine.
1 11" x 1' 10" ( 58.5 x 54.5 cm ). |
| 701 |
 |
The Third Class Carriage |
Metropolitan Museum of Art, New York |
| 43971 |
 |
The Third-class Carriage |
1860-63
Oil on canvas,
65 x 90 cm |
| 52530 |
 |
The Uprising |
c. 1860 Oil on canvas, 88 x 113 cm |
| 40727 |
 |
The Washer woman |
mk156
c.1860-63
Oil on panel
49x33.5cm
|
| 89111 |
 |
The Washerwoman |
1863(1863)
Medium oil on wood
cyf |
| 21363 |
 |
The Washerwoman (mk09) |
c 1860
Oil on panel,49 x 34 cm
Paris,Musee National du Louvre |
| 86760 |
 |
Two Uprising |
Oil on canvas
Dimensions 87.6 x 113 cm (34.5 x 44.5 in)
cyf |
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| Honore Daumier
|
| 1808-1879
French
Honore Daumier Locations
In some 40 years of political and social commentary Honore Daumier created an enormously rich and varied record of Parisian middle-class life in the form of nearly 4,000 lithographs, about 1,000 wood engravings, and several hundred drawings and paintings. In them the comic spirit of Moli??re comes to life once again. After having been the scourge of Louis Philippe and the July Monarchy (1830-1848), Daumier continued as a satirist of Louis Napoleon and the Second Empire (1851-1870). Poor himself, the artist sympathized with the struggling bourgeois and proletarian citizens of Paris. As a man of the left, he battled for the establishment of a republic, which finally came in 1870. Liberals have always applauded Daumier; some conservatives, however, have been inclined to consider him woolly-minded.
Honore Daumier, born on Feb. 26, 1808, in Marseilles, was the son of a glazier. When Honore was 6, the family moved to Paris, where the elder Daumier hoped to win success as a poet. Honore grew up in a home in which humanistic concerns had some importance. A born draftsman and designer who was largely self-taught, he received some formal instruction from Alexandre Lenoir, one of Jacques Louis David students. An obscure artist named Ramelet taught Daumier the elements of the new, inexpensive, and popular technique of lithography. Daumier style is so much his own that it is not easy to disentangle influences from other artists. Rembrandt and Francisco Goya are usually mentioned, along with Peter Paul Rubens, the Venetian school, and photography.
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